x-ray_etching - 1.jpeg
       
     
xs23 - 7.jpeg
       
     
x-ray_etching - 4.jpeg
       
     
ChineColle%25CC%2581e%2B-%2B2.jpg
       
     
fsp - 3.jpeg
       
     
x-ray_etching - 2.jpeg
       
     
x-ray_etching+-+5.jpg
       
     
x-ray_etching - 6.jpeg
       
     
x-ray_etching - 7.jpeg
       
     
ghosts%2B-%2B11%2B%25282%2529.jpg
       
     
photopolymer - 17.jpg
       
     
BlackCat15.jpg
       
     
photopolymer - 3 (1).jpg
       
     
x-ray_etching - 8.jpeg
       
     
EtchingPrint - 2.jpeg
       
     
photopolymer - 1.jpg
       
     
x-ray_etching - 3.jpeg
       
     
ChineColle%CC%81e+-+1.jpg
       
     
ChineCollée - 6.jpeg
       
     
ChineColle%CC%81e+-+4.jpg
       
     
ChineCollée - 5.jpeg
       
     
photopolymer - 12.jpg
       
     
photopolymer - 10.jpg
       
     
ChineCollée - 10.jpeg
       
     
ChineCollée - 11.jpeg
       
     
ChineColle%25CC%2581e%2B-%2B9.jpg
       
     
photopolymer+-+4.jpg
       
     
photopolymer - 11.jpg
       
     
EtchingPrint+-+8+%282%29.jpg
       
     
EtchingPrint - 4.jpeg
       
     
ChineColle%CC%81e+-+8.jpg
       
     
photopolymer - 14.jpg
       
     
photopolymer+-+1+%281%29.jpg
       
     
photopolymer - 4 (1).jpg
       
     
EtchingPrint%2B-%2B3.jpg
       
     
photopolymer - 3.jpg
       
     
 Multi-plate print from two etched plates with +ve and -ve versions of the photo that were inked in red and black. The plates were then pressed separately into the same piece of paper.
       
     
photopolymer - 2.jpg
       
     
 This experimental print  was created by pressing the same (generously) inked plate onto two different types of paper. The first pressing was onto corrogated paper to produce horizontal ink lines on the plate and the second (main) pressing was onto f
       
     
photopolymer+-+7.jpg
       
     
dodgy - 1.jpeg
       
     
dodgy - 2.jpeg
       
     
photopolymer+-+5.jpg
       
     
 There are several ways of adding colour to a print, before and/or after printing, usually with coloured inks. This print incorporates the Chine coleé process to add colour without using ink. The original photo was taken in a sardine ‘museum’ at Lisb
       
     
ghosts%252B-%252B12%252B%2525285%252529.jpg
       
     
ghosts - 9 (5).jpg
       
     
 More Photopolymer-Digital prints from my Meat Market and X-ray Files series.
       
     
BackLit - 1 (9).jpeg
       
     
BackLit - 2 (1).jpeg
       
     
x-ray_etching - 1.jpeg
       
     
xs23 - 7.jpeg
       
     
x-ray_etching - 4.jpeg
       
     
ChineColle%25CC%2581e%2B-%2B2.jpg
       
     
fsp - 3.jpeg
       
     
x-ray_etching - 2.jpeg
       
     
x-ray_etching+-+5.jpg
       
     
x-ray_etching - 6.jpeg
       
     
x-ray_etching - 7.jpeg
       
     
ghosts%2B-%2B11%2B%25282%2529.jpg
       
     
photopolymer - 17.jpg
       
     
BlackCat15.jpg
       
     
photopolymer - 3 (1).jpg
       
     
x-ray_etching - 8.jpeg
       
     
EtchingPrint - 2.jpeg
       
     
photopolymer - 1.jpg
       
     
x-ray_etching - 3.jpeg
       
     
ChineColle%CC%81e+-+1.jpg
       
     
ChineCollée - 6.jpeg
       
     
ChineColle%CC%81e+-+4.jpg
       
     
ChineCollée - 5.jpeg
       
     
photopolymer - 12.jpg
       
     
photopolymer - 10.jpg
       
     
ChineCollée - 10.jpeg
       
     
ChineCollée - 11.jpeg
       
     
ChineColle%25CC%2581e%2B-%2B9.jpg
       
     
photopolymer+-+4.jpg
       
     
photopolymer - 11.jpg
       
     
EtchingPrint+-+8+%282%29.jpg
       
     
EtchingPrint - 4.jpeg
       
     
ChineColle%CC%81e+-+8.jpg
       
     
photopolymer - 14.jpg
       
     
photopolymer+-+1+%281%29.jpg
       
     
photopolymer - 4 (1).jpg
       
     
EtchingPrint%2B-%2B3.jpg
       
     
photopolymer - 3.jpg
       
     
 Multi-plate print from two etched plates with +ve and -ve versions of the photo that were inked in red and black. The plates were then pressed separately into the same piece of paper.
       
     

Multi-plate print from two etched plates with +ve and -ve versions of the photo that were inked in red and black. The plates were then pressed separately into the same piece of paper.

photopolymer - 2.jpg
       
     
 This experimental print  was created by pressing the same (generously) inked plate onto two different types of paper. The first pressing was onto corrogated paper to produce horizontal ink lines on the plate and the second (main) pressing was onto f
       
     

This experimental print was created by pressing the same (generously) inked plate onto two different types of paper. The first pressing was onto corrogated paper to produce horizontal ink lines on the plate and the second (main) pressing was onto fine art paper. Two for the price of one!

For best viewing, activate ‘lightbox’ mode by clicking on small cross at top right of any image.

photopolymer+-+7.jpg
       
     
dodgy - 1.jpeg
       
     
dodgy - 2.jpeg
       
     
photopolymer+-+5.jpg
       
     
 There are several ways of adding colour to a print, before and/or after printing, usually with coloured inks. This print incorporates the Chine coleé process to add colour without using ink. The original photo was taken in a sardine ‘museum’ at Lisb
       
     

There are several ways of adding colour to a print, before and/or after printing, usually with coloured inks. This print incorporates the Chine coleé process to add colour without using ink. The original photo was taken in a sardine ‘museum’ at Lisbon airport.

ghosts%252B-%252B12%252B%2525285%252529.jpg
       
     
ghosts - 9 (5).jpg
       
     
 More Photopolymer-Digital prints from my Meat Market and X-ray Files series.
       
     

More Photopolymer-Digital prints from my Meat Market and X-ray Files series.

BackLit - 1 (9).jpeg
       
     
BackLit - 2 (1).jpeg